Brass Eyewear Stand Whitney Black American Portraits chronicles the

Black American Portraits chronicles the ways in which Black Americans have used portraiture to envision themselves in their own eyes

Beginning in 1921

the carved front door Asawa and her family made for their home

Triumph of Bacchus

Kojo Kamau

Brass Eyewear Stand Whitney Black American Portraits chronicles theFor too long, our glasses have been consigned to drawers, flimsy cases, or haphazardly set down on a desk or bedside table. Susceptible to misplacement and damage, these essential objects need a resting place that keeps them safe and visible. The Eyewear Stand accommodates any style of frame, and glasses almost appear to be leaning back, fully reclined. A distinct face like quality emerges a museum moment with a faint whiff of Groucho Marx. About the